× Scream and Scream Again (1970)
Scream and Scream Again
Last updated| Scream and Scream Again | |
|---|---|
 Theatrical release poster | |
| Directed by | Gordon Hessler |
| Written by | Christopher Wicking |
| Based on | The Disorientated Man by Peter Saxon |
| Produced by | Max Rosenberg Milton Subotsky Louis M. Heyward |
| Starring |
|
| Cinematography | John Coquillon |
| Edited by | Peter Elliott |
| Music by | David Whitaker |
| Production | American International Pictures |
| Distributed by | Warner-Pathé (U.k.) American International Pictures (U.s.a.) |
| Release dates | January 1970 (UK) Feb two, 1970 (Usa) [1] |
| Running time | 95 minutes |
| Country | Britain |
| Language | English |
| Budget | $350,000 [one] |
| Box office | $i,217,000 (US/ Canada rentals) [ii] |
Scream and Scream Again is a 1970 British scientific discipline fiction conspiracy thriller pic starring Vincent Price, Christopher Lee, Alfred Marks, Michael Gothard, and Peter Cushing. It is based on the novel The Disorientated Man (1967) past 'Peter Saxon', a house pseudonym used by various authors in the 1960s and 1970s.
- Plot
- Cast
- Product
- Reception
- References
- External links
It marks the second teaming, afterward The Oblong Box , of actors Price and Lee with managing director Gordon Hessler. Price and Lee only share a brief scene in the film'south climax. Cushing, in his cursory scene, shares no screen time with either Price or Lee.
Although the film's championship, and association with stars Price, Lee and Cushing, might suggest a violent horror film, the violence in the film is mostly understated and/or off-screen, while the plot owes more than to films like Invasion of the Body Snatchers or 1970's era 'conspiracy thrillers' like The Parallax View .
Overlooked during its initial release, the moving-picture show has since become a minor cult classic, with the Overlook Motion picture Guide acknowledging it as: "one of the best science-fiction films made in Britain."
Plot
The flick's construction is fragmented, equally it alternates betwixt three plot threads.
A man jogging through suburban London grabs his heart, and collapses. He wakes upward in a hospital bed. The nurse tending him gives him h2o and leaves. He pulls down the bed covers to discover that his lower right leg has been amputated. He screams. Afterward scenes repeat the same action as his other limbs are amputated.
Elsewhere, intelligence operative Konratz (Marshall Jones) returns to his dwelling house state, an unidentified Eastern European totalitarian state. After being debriefed by Captain Schweitz (Peter Sallis), Konratz steps around the table and places a mitt on Schweitz's shoulder, paralysing and and so killing him. Konratz is later reprimanded by his superior Major Benedek (Peter Cushing) for his torturing an escapee, Erika (Yutte Stensgaard ). Konratz kills Major Benedek in the aforementioned way.
In London, MPS Detective Superintendent Bellaver (Alfred Marks) investigates the rape and murder of a immature woman, Eileen Stevens. Supt. Bellaver goes with young forensic pathologist Dr. David Sorel (Christopher Matthews) to the clinic of her employer Dr. Browning (Vincent Toll), but he provides no useful information. A young woman, Sylvia (Judy Huxtable), is picked upwardly at the Busted Pot Disco past the sinister Keith (Michael Gothard). She is killed past Keith, and her body is later found drained of blood.
The ii young women have apparently been raped and murdered by the same individual. Supt. Bellaver sends out several immature policewomen to try to entrap the killer. WPC Helen Bradford (Judy Flower), wearing a wire and electronic tracer, goes to the same club where she lets herself get picked up and driven away by Keith. The law follow and arrive only afterward Keith has attacked her and appears to be drinking blood from her wrist. With apparent superhuman strength, Keith fights off the arresting police and drives off, beginning a long chase sequence by machine and on human foot through suburban London, during which Keith tears off his arm in an attempt to escape, and which ends at an estate where he throws himself into a vat of acid in an outbuilding. The building turns out to belong to Dr. Browning, who explains that he uses the acrid to destroy possible pathogens in his biological experiments.
The narrative strands begin to come together when a senior UK Government officer, Fremont (Christopher Lee) meets Konratz at London'due south Trafalgar Square. Soon later on, Supt. Bellaver is ordered to stop his investigations, but Dr. Sorel decides to go along on his own. Accompanied by WPC Bradford, he goes to Dr. Browning's laboratory, seemingly unoccupied, but she and their auto disappear. Later, she wakes upwards restrained in the same hospital bed with the aforementioned nurse attention her as the dismembered jogger.
Returning to Dr. Browning's house, Dr. Sorel discovers Browning is well-nigh to surgically operate on WPC Bradford, in function of a plot to supercede human beings with composites, artificial beings. Konratz appears, and is angry that Dr. Browning's actions have interfered with his role of the plot. When Browning expresses misgivings, he and Konratz struggle. Konratz is pushed into a vat of acid in the laboratory room. Fremont appears and struggles with Dr. Browning, who also falls into the acid. Fremont, Dr. Sorel, and WPC Bradford escape, although to an uncertain future.
Cast
- Vincent Toll as Dr. Browning
- Christopher Lee every bit Fremont
- Peter Cushing every bit Benedek
- Judy Huxtable (billed equally "guest star") equally Sylvia, 1st young adult female at disco
- Alfred Marks as Detective Superintendent Bellaver
- Michael Gothard as Keith
- Anthony Newlands as Ludwig
- Peter Sallis as Schweitz
- David Lodge equally Detective Inspector Strickland (end-title credit only)
- Uta Levka as Jane, nurse
- Christopher Matthews equally Dr. David Sorel
- Judy Bloom (billed as Judi Blossom) as WPC Helen Bradford
- Clifford Earl equally Detective Sergeant Jimmy Joyce
- Kenneth Benda as Professor Kingsmill
- Marshall Jones equally Konratz
- Amen Corner every bit themselves
- Yutte Stensgaard as Erika, escaping woman (uncredited)
- Julian Holloway as Detective Constable Griffin (opening-championship credit but)
- Nigel Lambert as Ken Sparten (uncredited)
- Kay Adrian as Nurse (uncredited)
- Edgar D. Davies as Rogers (uncredited)
- Rosalind Elliot as Valerie, 2d young woman at disco (uncredited)
- Leslie Ewin as Tramp (uncredited)
- Lee Hudson as Matron (uncredited)
- Gertan Klauber every bit Edge Guard (uncredited)
- Olga Linden as Eileen Stevens (uncredited)
- Stephen Preston as Fryer (uncredited)
- Joe Wadham equally Wadham, Police Commuter (uncredited)
- Lincoln Webb equally Wrestler (uncredited)
Production
The movie is based on Peter Saxon's science fiction novel The Disorientated Human being. For the most function, the movie follows the novel quite closely.
In the novel, the antagonists turned out to be aliens. According to an interview with Christopher Lee, the characters were indeed going to be revealed equally aliens in the moving-picture show'south climax, but all connections to that fact were cutting out of the movie earlier it was released, leaving the enigmatic villains' backgrounds unexplained. [3]
Rights to the novel were bought by Milton Subotsky of Amicus Productions who got financing from Louis Heyward head of European operations for AIP. [ane]
There was a script by Subotsky but it was regarded equally unplayable. [iv] Gordon Hessler says he got Chris Wickling to heavily rewrite information technology:
That was really a pulp book, a throwaway book that you read on a railroad train. There was nothing in it, just empty pieces of action. Merely information technology was Chris who gave it a whole new level by using it equally a political process of what might happen in the future. That is what made the film, he'southward the i that came up with all those ideas, yet he yet managed to keep the nuances of the sort of pulp fiction novel. [5]
The eponymous theme song for the pic was by Amen Corner, who appeared in the pic singing it. This was ane of their final appearances before Andy Fairweather Low departed for a solo career after a brief career equally Fair Weather.
This marked the first time that horror-movie icons Peter Cushing, Vincent Price and Christopher Lee appeared in the same feature-film. The three actors withal, exercise not share screen space. Cushing does non announced with either Lee or Price - only appearing in a cameo. Lee and Cost share a cursory scene towards the motion-picture show'south climax.
The film was made in the bridge of a calendar month, starting on five May 1969 at Shepperton, having location work washed at Trafalagar Foursquare and Chertsey, Surrey. Though the moving picture has a release date of 1970, the copyright lists 1969. [6] In the concluding scene, Christopher Lee's Bentley has a tax disc with an expiry date of December 1969 thus strongly consistent with a product of 1969.
An episode of The Ten-Files , "Kill Switch", depicts Agent Fox Mulder in a virtual reality experience during which, similar this motion-picture show's victim, nurses periodically amputate his limbs while he sleeps.
Reception
Reviews from critics were mixed. Howard Thompson of The New York Times wrote that the picture show "tools along intriguingly for a while with some genuine possibilities before taking a nosedive" when it "ends upward in withal another mad scientist's lair." [vii] Multifariousness wrote that the script "has almost equally many holes equally the assorted victims of the action. However, such criticism is completely irrelevant to the film's gripping momentum of horror." [8] Roger Ebert gave the moving-picture show two stars out of four, calling it "ridiculous" yet "impossible to dislike because they ask only that yous share their sense of the cool. The fascinating matter near this one is that information technology makes absolutely no sense at all until maybe the last 10 minutes. None." [ix] Gene Siskel of the Chicago Tribune gave the movie one star, calling it "a violent and sick pic ... that begs to be included in our annual worst xx list." [10] Kevin Thomas of the Los Angeles Times called the film "a superb piece of contemporary horror, a scientific discipline fiction tale possessed of a credibility more terrifying than any of the Gothic witchery of 'Rosemary's Baby' ... Information technology's 1 of those movies where y'all have no idea what's going on until the end, just in one case there, there'due south no letdown." [11]
On Rotten Tomatoes the film has an approval rating of 64% based on xiv reviews, with an boilerplate rating of 5.45 out of x. [12]
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References
- ane 2 3 Ed. Allan Bryce, Amicus: The Studio That Dripped Blood, Stray True cat Publishing, 2000. p 56-61. ISBN 9780953326136
- ↑ "Large Rental Films of 1970", Variety, 6 January 1971 p 11
- ↑ Pohle, Robert; Hart, Douglas; Pohle Baldwin, Rita (2017). The Christopher Lee flick encyclopedia. Lanham: Rowman & Littlefield. p.127. ISBN 9780810892705. OCLC 973222703.
If that [existence an alien] wasn't clear, it was either in the cutting or the story, because that indeed was meant to exist the solution.
- ↑ All's Well That Ends: an interview with Chris Wicking Monthly Film Bulletin; London Vol. 55, Iss. 658, (November one, 1988): 322.
- ↑ George G. Reis, "An Interview with Gordon Hessler", DVD Bulldoze In accessed 27 Feb 2014
- ↑ "19 Things You Must Know About Scream and Scream Again". The Audio of Vincent Price. February 7, 2017. Retrieved Oct x, 2018.
- ↑ Thompsom, Howard (July nine, 1970). "Neighborhoods Get Horror Moving-picture show Dual Bill". The New York Times : 44.
- ↑ "Scream and Scream Again". Variety : 16. February eleven, 1970.
- ↑ Ebert, Roger (February 18, 1970). "Scream And Scream Again". RogerEbert.com . Retrieved October 10, 2018.
- ↑ Siskel, Gene (February 18, 1970). "Scream Again". Chicago Tribune . Section two, p. 5.
- ↑ Thomas, Kevin (February 21, 1970). "'Scream Again' Scary Science Fiction Tale". Los Angeles Times . Part Two, p. 9.
- ↑ "Scream And Scream Again (Screamer) (1970)". Rotten Tomatoes . Fandango Media . Retrieved August viii, 2020.
External links
- Scream and Scream Again at IMDb
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