S Couch Architectural Digest Art 1950s 1950s Couch French S
Although at present forepart and eye at art fairs, auctions, and shelter publications, the works of such midcentury masters as Charlotte Perriand, Le Corbusier, and Jean Prouvé were less broadly known in the early on 1980s. When French art dealer François Laffanour founded his Paris design outpost, Galerie Downtown, in 1980, he was i of the first to take a serious expect at furniture created by leading architects from the era.
Asked how he imbued this prescient aesthetic throughout his Left Bank residence, Laffanour naturally starts at the beginning. "I am an art dealer specializing in architects' furniture," he says, noting that his chief interests are in the work of Charlotte Perriand and Jean Prouvé. "In terms of concern, I started with 1950s furniture and very quickly found an inventory of Prouvé pieces." At the same fourth dimension he was starting his firm, Laffanour was also beginning to collect fine art for himself, a passion which continues to this twenty-four hour period. "Fine art is bought when I have the opportunity," he says, mentioning an early and immediate affinity for the work of Takis, which continues to this 24-hour interval. "I feel comfortable living with his work, like a security coating," he says.
In Laffanour'due south 2nd-flooring office, the desk is a table by Charlotte Perriand, and other works are by Jean-Pierre Reynaud, Mungo Thomson, Joseph Beuys, Pierre Jeanneret, and Ronan and Erwan Bouroullec.
Laffanour's collection—which comprises yet more pieces by Ettore Sottsass, Pierre Chareau, Serge Mouille, Diego Giacometti, Martin Borowski, and Josef Hoffmann, among others—lines every floor of his charming house. Arriving at his home, 1 walks through a street-side door to a wonderful garden, terraced dining expanse, and just beyond, a four-story edifice. "It was a kind of a dream," he says of finding the property five years ago. "When I was a student I was always dreaming of a nice identify in Saint Germain, [with] these trees behind closed doors."
The previous owner, who occupied the infinite for some two decades, had washed little in terms of updating, so everything had to be redone before Laffanour moved in. Each floor—approximately 645 square anxiety, with two rooms—accesses a primal staircase. "It'southward similar an English language mews business firm, e'er going up and down," laughs Laffanour, who lives here with his wife, Alexandra, a musician, and occasionally two grown kids when they come up home. Wanting to retain the original patinated feel of the building, they installed parquet de Versailles floors, which were burnt and then oiled. They besides added indoor shutters in lieu of curtains. All told, the restoration took almost eight months.
A Leading Design Dealer's Art-Filled Jewel Box in Paris
On the basis flooring of blueprint dealer François Laffanour's Left Depository financial institution, Paris, home, is a cozy open kitchen/dining area. The primary seating infinite is in fact a "library" tabular array and chairs, circa 1955, by Pierre Jeanneret. The large work on the wall is by Sturtevant, from 1969, and the Andrea Branzi "Big Cap" standing lamp is from 1996.
The basis-floor living room is full of Laffanour's collection, including works by Ettore Sottsass, Pierre Chareau, Serge Mouille, Diego Giacometti, Martin Borowski, Josef Hoffmann, and Takis.
This particular shows a piece of work by Bill Viola on the wall from 2007 called The Return and furniture past Josef Hoffmann, Charlotte Perriand, and Isamu Noguchi.
In Laffanour's second-floor role, the desk is a table past Charlotte Perriand and other works are past Jean-Pierre Raynaud, Mungo Thomson, Joseph Beuys, Pierre Jeanneret, and Ronan and Erwan Bouroullec.
Another view of the office, whose works include those by Thomas Ruff, Charlotte Perriand, Allen Jones, and Jean Prouvé.
- Another living room, on the second floor, is anchored by a Polar Bear sofa by Jean Royère, circa 1950, and a huge sculpture by the Portuguese creative person Joana Vasconcelos. There are also pieces past Charlotte Perriand, Le Corbusier and Pierre Jeanneret, Gaetano Pesce, Takis, Serge Mouille, George Nakashima, and Richard Serra.
Some other view of the second living room, with works past Jean Prouvé, Jean Tinguely, Takis, and Duane Hanson.
In the master bedroom, a wall of Agnes Martin drawings, a Charlotte Perriand sideboard circa 1947, and a lamp by the Bouroullec brothers.
The forepart door opens onto a small archway and the chief staircase. A round cupboard serves as a coat closet, whose maker is unknown.
The street door opens onto a lovely city garden with a sculpture by Aldo Mondino, circa 1990. When the atmospheric condition becomes temperate, Laffanour entertains outdoors with the front door left open for an indoor-outdoor feel.
Reflecting on his domestic lifestyle, Laffanour says that his routine is all about existence surrounded by his love art and objects, the things he collects and discovers. Simply he says he is as well constantly request himself other, more forward-looking questions. "What is modernity?" he ponders. "Today I am focused on going a bit deeper into the spirit of creation, not just showing the pieces—I want a new generation to wait at things with a new spirit." Mission achieved.
Originally Appeared on Architectural Assimilate
Source: https://news.yahoo.com/leading-design-dealers-art-filled-154654011.html
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